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inauthor: Stephen Orgel from books.google.com
This passionate and monumental biography reassesses the life and legacy of one of the most significant cultural figures of the twentieth century Unevenly respected, easily hated, almost always suspected of being inferior to his reputation, ...
inauthor: Stephen Orgel from books.google.com
... Orgel, Stephen, ed. William Shakespeare: The Tempest. Oxford, New York: Oxford University Press, 1994. Pask, Kevin ... in Author/Audience Interaction.
inauthor: Stephen Orgel from books.google.com
Drama and Authorship in Early Modern England Douglas A. Brooks Stephen Orgel, Anne Barton. Saeger and Fassler's ... in author attribution and increases in the volume of plays printed during the same period . 142 During the first two ...
inauthor: Stephen Orgel from books.google.com
This book combines book history and literary criticism to explore how early modern books were richer things than previously imagined.
inauthor: Stephen Orgel from books.google.com
... In Author's Pen and Actor's Voice : Playing and Writ- ing in Shakespeare's Theatre , ed . Helen Higbee and William West . Cambridge : Cambridge University ... Orgel , Stephen . " Call Me Ganymede . " 928 Suggestions for Further Reading.
inauthor: Stephen Orgel from books.google.com
Building on the work of worldview thinkers like James Sire, this book helps those committed to the gospel story recognize those rival cultural stories that compete for our hearts and minds.
inauthor: Stephen Orgel from books.google.com
The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael ...
inauthor: Stephen Orgel from books.google.com
Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
inauthor: Stephen Orgel from books.google.com
Freudianism is a major icon in the history of ideas, independently rich and suggestive today both for psychoanalysis and for theories of language.